Natalie Dessay English Interview Part 1 - YouTube.

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Natalie Dessay, the soprano, descended a staircase into the rehearsal room at the Metropolitan Opera with the poise of a countess entering a ballroom, dressed in skinny black pants, high heels.

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Natalie Dessay has sung the role of Amina before. She looked charming on stage and her small and slim built was also convincing for the character. Vocally she was still agile but the voice lost some quality when subjected to pressure. It was loveliest in the quieter passages and the famous “Ah, non credea mirarti” turned out very well. The finale “Ah, non giunge” turned out reasonably.

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Natalie Dessay’s impersonation of the title role was both vocally and histrionically first rate. Her approach differed from that of Netrebko; it was more ornamented and embellished. She sang more high notes. It was typical of the portrayal that Donizetti’s fragile heroine usually gets. Dessay took the middle of the Mad Scene, the part usually accompanied by a flute a capella. Netrebko.

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